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), but the puffed chest vertical march (the I’m not 5'8", I’m 5'9"! It’s in Eduardo—in the actor Andrew Garfield’s animate, beautiful face—that all these betrayals seem to converge, and become personal, painful.

The arbitration scenes—that should be dull, being so terribly static—get their power from the eerie opposition between Eisenberg’s unmoving countenance (his eyebrows hardly ever move; the real Zuckerberg’s eyebrows never move) and Garfield’s imploring disbelief, almost the way Spencer Tracy got all worked up opposite Frederic March’s rigidity in another courtroom epic, Inherit the Wind.

He has to content himself with excellent and rapid cutting between Harvard and the later court cases, and after that, the discreet pleasures of another, less-remarked-upon Fincher skill: great casting. Around him Fincher arranges a convincing bunch of 1.0 humans, by turns betrayed and humiliated by him, and as the movie progresses they line up to sue him.

It’ll be a long time before a cinema geek comes along to push Jesse Eisenberg, the actor who plays Zuckerberg, off the top of our nerd typologies. The shifty boredom when anyone, other than himself, is speaking. Eisenberg even chooses the correct nerd walk: not the sideways corridor shuffle (the Don’t Hit Me! An extended four-minute shot has him doing exactly this all the way through the Harvard campus, before he lands finally where he belongs, the only place he’s truly comfortable, in front of his laptop, with his blog: Oh, yeah. If it’s a three-act movie it’s because Zuckerberg screws over more people than a two-act movie can comfortably hold: the Winklevoss twins and Divya Navendra (from whom Zuckerberg allegedly stole the Facebook concept), and then his best friend, Eduardo Saverin (the CFO he edged out of the company), and finally Sean Parker, the boy king of Napster, the music-sharing program, although he, to be fair, pretty much screws himself.

I still feel distant from them now, ever more so, as I increasingly opt out (by choice, by default) of the things they have embraced. Specifically we have different ideas about what a person is, or should be.

I often worry that my idea of personhood is nostalgic, irrational, inaccurate.

At my screening, blocks from NYU, the audience thrilled with intimate identification.

But if the hipsters and nerds are hoping for Fincher’s usual pyrotechnics they will be disappointed: in a lawyer’s office there’s not a lot for Fincher to do.

To build your muscles you need to consume more calories than you burn so your ...Or as Mark pleasantly puts it across a conference table: “If you guys were the inventors of Facebook you’d have invented Facebook.”All that’s left for Zuckerberg is to meet the devil at the crossroads: naturally he’s an Internet music entrepreneur.It’s a Generation Facebook instinct to expect (hope?I’m so utterly 1.0 that I spent an hour of the movie trying to detect any difference between the twins.) Their arms move suspiciously fast, faster than real human arms, their muscles seem outlined by a fine pen, the water splashes up in individual droplets as if painted by Caravaggio, and the music!Trent Reznor, of Nine Inch Nails, commits exquisite brutality upon Edward Grieg’s already pretty brutal “In the Hall of the Mountain King.” All synths and white noise.

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